Illicit (1931)

This Movie Can Only Be Described With One Word.

The Worst Film Ever

Best movie ever!

Mostly, the movie is committed to the value of a good time.

Boring, talky Pre-Coder with Barbara Stanwyck and James Rennie as a young couple happily living in sin. Babs isn't a fan of marriage, you see. Well they're eventually pressured into marrying and things between them go south. Will these two kids make it work? If you have the patience of Job, watch it and find out. Everybody else drink lots of caffeine first. It's a very creaky early talkie that feels more like a stage play. Charles "Cap'n Crunch" Butterworth plays a drunk and Joan Blondell brightens things up whenever she's on screen, which isn't enough. Stanwyck fans might want to check it out for one of her earliest roles.

Illicit (1931) * (out of 4) Incredibly bad pre-code from Warner features Barbara Stanwyck in her first role with the studio. In the film she plays Anne, a free spirit who doesn't want to marry the man she loves (James Rennie) because she fears it might ruin their relationship but soon she's getting pressure to do so. ILLICIT is without question one of the worst films I've seen from this era of Hollywood. In fact, it's so incredibly bad that I think Stanwyck should be thankful that studios made so many movies back in the day because if this type of film was made today I think it would have ruined her career. At least back then they had one film after another being released so people could forget this poor thing. I think the biggest problem going for the film is the fact that it simply doesn't know when to shut up. This here is yet another early talkie, which is ruined because the screenwriter simply didn't know how to do anything than throw out worthless dialogue that after a while will make the viewer contemplate suicide. I must admit that I thought the film was nearly half over when I checked to see how long I had been watching it and in terror I noticed it was just ten-minutes. The entire opening bit with Stanwyck and Rennie discussing marriage is so drawn out that you can't help but thing the run of dialogue could have been handled in just a few lines. The pre-code elements really aren't naughty enough to draw much interest and the cast too is mostly wasted. Stanwyck is good in her part but the screenplay really doesn't give her much to do. Rennie is somewhat bland but Ricardo Cortez is here for some fun as is Joan Blondell and Charles Butterworth who of course steals the film as the lovable drunk. ILLICIT is poorly directed with some ugly cinematography and it's clearly the worst film I've seen Stanwyck in.

In 1931, Stanwyck was still a young girl, with her LONG hair, child-like innocent manner, and round kid face. As Anne Vincent, she wants to stay single and happy, while her beau Dick (James Rennie) wants to get married. Along for fun is Charles Butterworth as George, Dick's sidekick. He tells the couple that they have been discovered, and totters off, for more drinks... Ricardo Cortez is also here as the ex-boyfriend Baines to stir things up; Stanwyck and Cortez had worked together on three films together in the 1930s. Look for a 25 year old Joan Blondell as Helen Childers, Anne's friend, in one of her early roles. Will things stay the same if they get married? That's the big question. Kind of a statement of the times, and even more so in a couple years when the production code will keep everything on the up and up, even when they aren't. This was Darryl Zanuck's 12th film as producer. Towards the middle of the version shown on Turner Classics, there are scratches or wear marks on the right side of the screen, not surprising for such an old film. Interesting to watch, but no big surprises.

The plot of "Illicit" is similar to the plot of an early Bette Davis film called "Ex-Lady" made two years after this one. They should be similar - Edith Fitzgerald wrote both of them. "Ex-Lady" was based on an unproduced play, and "Illicit" actually was a play. Both concern women who don't want to get married and men who do. Anne (Stanwyck)(like Davis) is an unconventional free spirit afraid that marriage will destroy the romance she has with Dick (James Rennie). However, word gets around that the two have been weekending in Connecticut, and Dick's father (Claude Gillingwater) convinces her to agree to marry Dick. Thanks to an old girlfriend of Dick's and an old beau of Anne's, trouble brews in paradise once the rings are exchanged.This is an early sound film, so the rhythm is off, and some of the sound has an echo. However, a few pauses that are a little too long don't really impede the fine acting. Stanwyck is wonderful and gives indication of the wonderful star she will become. She's funny, vivacious, and likable. Charles Butterworth plays a drunken friend very convincingly, and Claude Gillingwater is dignified yet warm as Dick's father. Rennie makes an attractive lover turned husband for Stanwyck. Joan Blondell has a small role as a friend.The film is interesting because it's early Stanwyck, but also because of the independent woman angle which soon will fade from view with the ushering in of the code. Once the '40s hit, the independent woman became an uptight career woman wearing a tailored suit, her hair up, and sporting a stern attitude. Young, carefree non-virgins became a thing of the past. But these precode films are what helped mold the strong images of Katharine Hepburn, Bette Davis, and Barbara Stanwyck and are worth watching.