Straight Out of Brooklyn (1991)

Good films always raise compelling questions, whether the format is fiction or documentary fact.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

One of the best movies of the year! Incredible from the beginning to the end.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Straight Out of Brooklyn is a drama that emphasizes the feelings and emotions of many children, teens, and young adults in this world who go through some the similar situations the main character goes though in having to live in broken homes of constant alcohol abuse & domestic violence witnessed from those responsible of taking care of them. The ending message gives all who watches this film an important lesson that the viewer itself is the most powerful force who can choose make a positive solution to break the tradition (or cycle) of abuse handed down, from generation to another. I definitely recommend this film to anyone who wants to take action by helping those who are victims of abuse & admitted abusers themselves who want to change themselves before it is too late. Therefore, my rating is an absolute 10.

The memorable debut feature by Matty Rich begins by asking the question: what do you know about being black? The answer is a familiar but powerful display of rage and desperation, set in the same, miserable Red Hook housing project where Rich himself grew up. It's a simple, straightforward film, surprisingly polished given the inexperience behind the camera (the entire cast and crew were hired through newspaper want ads), and remarkable because writer/director/producer Rich was only 19 years old when the film was released. His basic plot, about an angry teenager's reckless plan to escape the cycle of poverty by robbing a local drug lord, is direct and unambiguous, and the outline hasn't been embellished by any visual style. But the understated script and a talented cast transform what could have been a hopeless melodrama into a gripping, heartfelt tragedy (but not entirely grim: a measure of humor is provided by some inspired comic banter).Postcript: at the time I thought the film might have trouble surviving the rush of 1991 summer blockbusters, but Matty Rich was a name to remember: he already showed more confidence and depth of feeling than many veteran directors. Sadly, that potential was never fulfilled: Rich would direct only one more feature before disappearing into undeserved obscurity.

Being from NY originally, one often drives by the Red Hook section, this film doesn't skim the surface, everyone should see it.While it was a low budget film, the acting is first-rate. George Odom is the father, I also thought the mother was realistically portrayed by Ann D. Sanders... as a woman who simply has no options, and is worried about her son and daughter. When she tries to get help from the employment agency, we see the hypocrisy of the counselor, telling her to get help, when she clearly has no intention of offering help.Larry Gilliard Jr. is excellent as Dennis (he also had a recent role in "The Machinist", with Christian Bale, where he was quite good). This movie is worth seeing because you feel for the characters, it is not just gratuitous violence, and deals with the mindset of the characters.Hopefully, Matty Rich will make more movies of this genre. Highly recommended.

I have seen at least 450 films from the "Urban" genre, and I have to say I am always perplexed by this film. If you are someone who is fussy about the aesthetics and the technical aspects of a film, you do not want to see this film. However, if you are looking for a film with strong performances by black actors, or a film with a look at life in the projects, this is the film for you. I think sometimes when we talk about project life we imagine a certain picture or image. This film deals a lot more with the mindsets of people in the projects. The most powerful performance is by George T. Odom, whose monologues and multi-personalities combine for a great example of a struggling black man. Larry Gillard Jr. is also in this film(the man who played D'Angelo Barksdale in HBO's The Wire) and he delivers a relatively impressive performance as a ordinary kid in the projects. Overall this is an impressive film with no budget. The one thing you need to be warned about is at times it is so low budget it will sometimes look as it was scenes from staged plays. I also wish the supporting cast was made up of better actors. I like this film, enough that i look at scenes from it once and a while when I myself am studying character archetypes.