The Secret Agent's Return (1982)

December. 17,1982

6.8

| Mystery

After returning from the USSR, Tulyev was subjected to rigorous verification of his former "owners". He continues his work in Western intelligence, but already as a Soviet intelligence officer through the First Main Directorate of the KGB of the USSR. In a new capacity, he establishes the whereabouts of Hitler’s criminal Hoffmann, who was once sentenced to death, and helps the authorities arrest him. However, as a result of the conflict within NATO intelligence, Charlie Brighton, Hoffman's assistant, begins to hunt for him. At the same time, Tulyev manages to establish the identity of the murderer of his father, Karl Brockmann, with whom they crossed in the service of mercenaries somewhere in hot countries. He wants revenge, but, by an evil irony of fate, he must help prepare Brockmann for being cast as a spy in the Soviet Union.

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Cast

Georgi Zhzhyonov as Tulyev

[1986] The Secret Agent’s End [1982] The Secret Agent's Return [1980] Air Crew [1978] The Cure Against Fear [1977] The Poseidon Rushes to Help [1972] The Hot Snow

Pyotr Velyaminov as Lukin

[1993] The Gray Wolves [1989] Souvenir for the Prosecutor [1986] The Secret Agent’s End [1982] The Secret Agent's Return [1980] Night Accident [1979] Colonel Zorin Version

Nikolai Prokopovich as Markov

[1986] The Secret Agent’s End [1985] A Legal Marriage [1982] Investigator by Profession [1982] The Secret Agent's Return [1973] Seventeen Moments of Spring [1972] The Battle after the Victory

Reviews

Smartorhypo

1982/12/17

Highly Overrated But Still Good

Doomtomylo

1982/12/18

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Sammy-Jo Cervantes

1982/12/19

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Married Baby

1982/12/20

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?