The Exiled (2018)
Marcelo Novais Teles, a young Brazilian, arrives in Paris to become an actor. But he is caught up in a very intense love as well as professional life; that's when he choses to film everything as time progresses. Dinner, parties, rehearsals, friendly and family meetings, falsely profound conversations, trips to Europe, etc. THE EXILED is the magnificently happy montage of these sequences, home movie of an obvious and chronic happiness, where the insolence of youth and its beauty are displayed. There are many well-known faces of actors who have become famous since then, which adds to the charm continuously lavished by these innocent images. Self-portrait in the form of a generational portrait, where the love of art crosses the art of living, the exile here is in the land of happiness.
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What makes it different from others?
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
The movie really just wants to entertain people.
The film's masterful storytelling did its job. The message was clear. No need to overdo.