Swiss Miss (1938)

Sadly Over-hyped

A very feeble attempt at affirmatie action

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Swiss Miss would have been far far better had Hal Roach dispensed altogether with the operetta format and just allowed Stan and Ollie to do their thing. Away from them the film sinks like the Titanic.Walter Woolf King and Greta Natzler are the husband and wife romantic leads and there's a strain in their relationship. He's a composer, she's a singer and poor Walter is jealous of the attention she gets and no one pays attention to what he writes. He goes off to the Alps to compose his masterpiece. She follows him there.The banter and the songs are typical of a MacDonald/Eddy film, but Nelson and Jeanette never had to sing stuff like I Can't Get Over the Alps and the Cricket Song. They wouldn't have had careers if they did.Interestingly enough the bit with King composing the Cricket Song after hearing their chirping is similar to Jerome Kern hearing a bird call and getting I've Told Every Little Star out of it. Of course it wasn't Jerome Kern who gave us the Cricket Song.Walter Woolf King who's best known as the egotistical Lespari from A Night at the Opera just doesn't come across as a good guy. Maybe with better material Allan Jones could have done this part.But with Stan and Ollie the film is enjoyable. They've got some classic bits, Laurel trying to steal some brandy from a St. Bernard, drilling holes in a shopkeeper's floor and hitting a gas line for their trouble and best of all the insane idea of moving an upright piano across a rope bridge and encountering an escaped gorilla. Mute the sound whenever Stan and Ollie aren't around and you might enjoy Swiss Miss.

Stan and Ollie turn up in Switzerland, of all places. Stan thinks that they will be able to sell mouse traps to the Swiss because there are more mice there than anywhere else in the world. The owner of a cheese factory offers to buy their stock, but pays with counterfeit money. Thinking they are rich, Stan and Ollie celebrate with a slap-up meal at a local hotel. Then comes the crunch - they are unable to pay the bill.The hotel owner sets them to work as dishwashers. In no time at all, most of the crockery is broken.Also at the hotel is an American composer, trying to write a new musical. His wife shows up and, in an effort to make her husband notice her, pretends to flirt with Ollie...One of the weaker Laurel and Hardy features, this still manages to be a lot of fun. Stan and Ollie have some great scenes together, such as their drilling holes in the cheese factory's wooden floor, playing a tune by popping soap bubbles coming out of an organ, and Ollie serenading the Della Lind character.Switzerland as depicted here is peopled by blonde girls in pigtails, and yodelling men in leather shorts with feathers stuck in their hats, but who cares? 'Bonnie Scotland' was hardly an accurate depiction of that country either.Funniest moment - a close run between Stan's attempts to get a barrel of brandy from a St.Bernard's neck, or his and Ollie moving a piano across a rope bridge, where they encounter a gorilla ( don't ask ).Did I hear someone say dated? Well, Stan and Ollie never needed to swear or fart to get laughs, did they, unlike today's 'comics'.Altogether, a pleasant viewing experience.

Laurel and Hardy are travelling through Switzerland selling mouse traps (unsuccessfully it has to be said). When a man offers to buy the business from them, Hardy accepts and takes the foreign money. After the duo eat a large meal at a posh hotel they find that the note is worthless in Switzerland and are forced to work in the hotel to pay off their debt (and pay for every plate they break). While they are there they also get involved in a marital spat between a composer and his famous singer wife.As someone who has seen more of their shorts than I have of their features, I was worried that a longer running time (70 minutes) would be too much for the duo to sustain. Having seen other features I knew they COULD do it if they were given the chance – sadly here they weren't given that chance. Instead they are given surprisingly little screen time and not allowed to work their magic for very long, with an off-putting amount of time devoted to the martial problems I have previously alluded to.I don't know who made the decision that Laurel and Hardy were unable to carry a feature and required a structure to base their routines around - they should always be within the structure! The mistake shines through though in several funny scenes where Laurel and Hardy are given the good material – the gorilla (in Switzerland!) on a bridge may not make much sense but it is funny, although my highlight was Laurel trying to coax brandy out of a St Bernard's! Sadly the chances for them to produce are limited by the tradition (and overdone) song and dance numbers (where we also have the usual `Laurel does funny voice' stuff) and the romantic subplot.Hardy is good as is Laurel, but Laurel's character is much stronger than in the shorts – he still bears the brunt of stuff but he is more forceful than before, not to mention a lot chubbier! I personally didn't take to this as well as I'd hoped I would – for whatever reason the changes were made, they off balanced the relationship that I love between the two. The support cast are roundly OK but it is hard to get interested in them simply because, while they are on, Laurel and Hardy aren't.Overall this is a very weak feature from the usually reliable pair. The majority of the running time is taken up by the songs and the romantic subplot, with the duo only given a few chances to shine (which, happily, they take). In the 70 minutes it took to watch this I could have watched three of their shorts – each of which would have been better than this!

Inane "plot" involving the inept duo as mousetrap salesmen in Switzerland; the studio apparently decided the film needed some romantic interest, but if you ignore that (as you should) there is some classic gags. The one with the gorilla and the piano, and Stan and the St Bernard are personal favourites!