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Texas Cyclone

Texas Cyclone (1932)

February. 24,1932
|
5.9
|
NR
| Action Western

When Texas Grant rides into town people think the supposedly dead Jim Rawlins has returned. After a confrontation with Utah Becker, Grant learns Jim's wife, Helen, is about to lose her ranch to Becker, so he decides to stay and pose as Rawlins in an effort to help her.

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Reviews

IslandGuru
1932/02/24

Who payed the critics

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InformationRap
1932/02/25

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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Kien Navarro
1932/02/26

Exactly the movie you think it is, but not the movie you want it to be.

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Freeman
1932/02/27

This film is so real. It treats its characters with so much care and sensitivity.

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Eric B
1932/02/28

I had caught this movie on Sony's channel GetTV. I thought it was an extremely entertaining B Western. It does not have the production quality of a post WWII major western but was a lot of fun. It was quite fun to see a young John Wayne and Walter Brennan. I was not familiar with Tim McCoy, but he had a really entertaining persona along with his giant hat. I got a kick out of how the sped up the bar room fight scenes kind of an early version of FX. If you like this one you may also like Two Fisted Law. Both movies are short so great viewing for an afternoon. These are Columbia pictures movies. John Wayne has a somewhat minor role,but one sees how he did have the persona to become a star shortly.

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bruno-32
1932/02/29

This movie appealed to me cause of the featured cast of John Wayne, who was 25 at the time and Walt Brennan, in makeup, which he used in future roles to his advantage..."Kentucky", when he won an Oscar as a supporting player. The plot was interesting, but not the writing that accompanied it. Imagine a 'strange woman' running over to you and plant a kiss in broad daylight, thinking its her long, lost husband...real stupid. Aside from that, I marveled at the clippety clop of the horses..and it brought to mind those old radio shows when they made the sound of horses running. I can't imagine it being that specific when they run the horses in westerns like that, especially on soft dirt. Have to admit though, it makes the scene more dramatic.

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bkoganbing
1932/03/01

I agree with the previous reviewer, if you can accept a very silly premise that a man could look and talk so much like a missing rancher who's from the town he rides into than you will enjoy Texas Cyclone. And of course you can see John Wayne in support of another cowboy hero Tim McCoy.During this short stint with Columbia Pictures Wayne did two films with Tim McCoy. Both are directed by D. Ross Lederman, both written by William Coit McDonald, and both had a whole lot of the same cast members. Repeating his role as villain is Wheeler Oakman and John Wayne is once again a cowhand, the only one it turns out who's honest and employed by Tim McCoy's 'widow' played by Sheila Terry. We also have for the first time Walter Brennan and John Wayne working in the same film. Brennan is the sheriff and he's made up to be quite a bit older than he was at the time. This may have been the beginning of all those old codger roles that Brennan played right up to when he was one.Of course McCoy finds that Oakman is still up to no good just like when he left and he has to deal with all the problems Oakman is causing. With John Wayne's help all things are righted in the end and the reason for McCoy's absence is explained in a very typical movie fashion.If it wasn't such a silly plot premise, I'd give the film a notch or two higher a rating. It's not bad for a B film and the young Duke is shown to great advantage here.

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alexandre michel liberman (tmwest)
1932/03/02

Tim McCoy rides into town and everybody starts calling him Jim. It seems he is so similar, that the barman asks him to pretend to be Jim. By doing so he gets all the bad guys against him. When he later goes to Jim's ranch even Jim's wife has a hard time to accept the fact that he is not her husband. He starts administering her ranch, from where a lot of cattle is stolen, and the only cowboy of the ranch that is friendly to him is John Wayne. If you can accept the basic point of this story that two men can be so alike (without being twin brothers), this is an entertaining film, less primitive than most of the westerns of the early thirties. It is interesting to see here how John Wayne had in him all that it took to be a great star.

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