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Femmes femmes

Femmes femmes (1974)

November. 27,1974
|
6.9
| Drama Comedy Music

The fantasies and dreams of two over-the-hill actresses are intertwined with their realities, as the two roommates struggle to survive their day-to-day lives in the expensive and difficult world of Paris.

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Reviews

Incannerax
1974/11/27

What a waste of my time!!!

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Robert Joyner
1974/11/28

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Stephanie
1974/11/29

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Francene Odetta
1974/11/30

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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Edgar Soberon Torchia
1974/12/01

A curiosity shot in 16mm, with the personnel working for free and using Brechtian acting techniques, the same year that Jacques Rivette released his fascinating story about other two femmes: "Céline et Julie vont en bateau". Paul Vecchiali though is a French director seldom mentioned in the circles of film buffs, but his name should be added to their ruminations, at least for this title, which relies upon the leading actresses' improvisations of dialogue and situations. Hélène Surgère and Sonia Saviange play two mature actresses living in a Parisian flat. While one still tries to work on the stage and in television, the other stays at home sewing dresses for a client or two: both Hélène and Sonia are alcoholics and little by little they are detaching from reality. Characters appear and disappear only to reinforce their isolation, while the story-telling recourse of change of fortune is mainly used as a joke. An experimental work that deserves more prominence, with outstanding work from Surgère and Saviange, who impressed Pier Paolo Pasolini so much during 1974 Venice film festival, that he cast both in his last film, "Salò or The 120 Days of Sodom", as one of the story-tellers and as the pianist, respectively, in which they pay a small hommage to Vecchiali's movie.

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