The Floating Man (2023)
This intimate documentary unpacks Michael V. Smith's journey as a self-described sissy with a body he found humiliating as he developed his art to become a radical drag performer and genderqueer artist. A unique blend of DIY documentary, road trip, performance art, and videopoem, this amusing self-portrait sources Smith's provocative art practice to examine a lifetime of untrue stories about his body. One featured project includes Smith on a road trip on British Columbia's Sunshine Coast, searching for famed Canadian singer Joni Mitchell, while dressed as Peanut the Clown.
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Reviews
I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.
Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.