The Showdown (1950)

You won't be disappointed!

Plenty to Like, Plenty to Dislike

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

This could have been an excellent western movie had they not tried to be so cheap in production. Instead of filming on location with vaulting mountains and wide open scenes, we are left with filming on a back lot with very little scenery and projected background landscape. And with such gifted actors in most parts it was puzzling on why they put stiff actor Bill Elliott as the lead man. I know he has played the lead in many B-westerns but with the cast of actors in this film, he stood out like a sore thumb.But passing on Elliott's mannequin performance, the rest of the cast seemed to flow effortless and made the story entertaining to watch. There was a few spots hard to watch but overall this film provided enough interest throughout to keep the viewer on the edge of the seat right to the end of the movie. Was actually expecting very little from this movie but was pleasantly surprised. This is a film that you ask yourself, What could have been?

Cowboy hero Wild Bill Elliott in his last movie for Republic Pictures. A stalwart of the genre, Elliott plays Shadrach Jones, a Texas State Policeman who gives up his badge to hunt down the man that shot his brother in the back, while robbing him of money set aside to purchase an Arizona ranch. Shad believes that the man he is looking for will be working on a cattle drive for Cap Mackellar(Walter Brennan). Jones takes on the job as trail boss with intent of finding the guilty man. Revenge or retribution? Justice or payback? Actually a B Western with a top notch cast making THE SHOWDOWN a must see. The cast also includes: Marie Windsor, Harry Morgan, William Ching, Jim Davis, Leif Erickson and Rhys Williams.

Artistic Western? That one reviewer must have been hitting the Hoppy Juice a bit too often. I guess he thinks any Western that's not a clash over water rights is "artistic." This piece of junk was obvious from the start (Surprise? You thought the girl did it?)Also "the cast was excellent , including Elliot?" He was stiffer than the oak tress in the background. I guess I can't take too much "Art" in my Westerns. Give me "Stagecoach" anytime.The Showdown. Bill Elliot. Was old Elliot Wooden School of Acting Guru a regular Republic leading man? Why was Walter Brennan playing that type of character at that point in his career?

Too bad budget-cutting Republic pictures spent all their money on the script and cast of this surprising little sleeper. It left them none for badly needed location shots, or failing that, at least to improve on some of the poorly done process shots. Note the number of times the horsemen stand statically in front of a backscreen projection instead of riding across a natural scene These cost-cutters count here, because otherwise this is an unnoticed little gem not usually expected from the likes of Saturday-matinée Republic. The script is excellent with a number of surprises, and holds interest throughout. The main cast (Elliot, Brennan, Windsor), along with supporting players (Morgan, Williams, Ching) are as good as could be expected from the major studios. Only Nacho Galindo's buffoonish comic-relief suggests Republic's usual fare. Actually, this is a noir Western produced at a time when film noir dominated many urban crime dramas. The atmosphere here, especially the stormy opening scene, reminds me of the fine Bob Mitchum Western, Blood on the Moon, which also made good use of brooding night-time sets. Then too, Elliot's revenge-obsessed "bad good-guy" strikingly anticipates Randolph Scott"s running character in Budd Boetticher's cult Westerns of the late 1950's. Anyway, this is a surprisingly good little drama, despite the shortcomings.