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Rappin'

Rappin' (1985)

May. 10,1985
|
4.3
|
PG
| Drama Music

An ex-con and break-dancer helps save a neighborhood from a greedy developer while trying to win a rap contest.

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Reviews

Nonureva
1985/05/10

Really Surprised!

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Calum Hutton
1985/05/11

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

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Yash Wade
1985/05/12

Close shines in drama with strong language, adult themes.

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Kinley
1985/05/13

This movie feels like it was made purely to piss off people who want good shows

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Radish4ever
1985/05/14

Very enjoyable and a feel good movie, a lot of fun, this should have been the next Saturday night fever or Rocky horror. This film is dull early on but really gets going from the quarter way stage, and it tries to show the underrated Mario Van Peebles as a kind of Robin Hood figure (he is called John "rappin" hood), out of jail and trying to re-discover himself and save his neighbourhood from a greedy property developer and save his brother from a life of crime and jail like his former self. Everyone is infuenced by the power of rap and all become better people for the experience (yes very cheesy) this is for sale on region 1 (where I purchased) but not in the UK where I live, the wonders of internet, credit cards and multi region players, even a happy ending for me :-) get this film, buy it and tell all your friends about it, it deserved to be a cult classic.

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reverendtom
1985/05/15

This movie is such a monumental collection of cheese and brilliance that I got to give it my highest level of fervent recommendation. It took a little while to grow on me, but once I saw it from beginning to end, I was sold for life. Everytime I watch this film, it gets funnier. There are so many funny scenes, it is endless amusement. This movie is epic. It ain't for everyone, but if you find the 1980s to be inherently funny, you will crack up at this monument of cheese. Mario Van Peebles is incredible, delivering his lines with bravado and soul ("Bathroom, Fool!"). Eriq LaSalle is great as the rightous tough guy Ice. Charles Flohe has a career making role as the villian. Tasia Valenza is enchanting as the love interest, Dixie. Melvin Plowden provides portly comic relief as Fats. Ice T wrote the rhymes that Mario spits. Simply incredible. 10/10

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JZvezda
1985/05/16

"I went to the movies, to see 'Beat Street' / it wasn't bad, it was kinda' neat / 'Krush Groove' was a flick, that I didn't mind / but when it came to 'Rappin', I drew the line." Word to your mother.Want me to stop?That's just a small sample of the stupa-fly style of rhymin' on display in this waste of film and location permits. This movie is seriously wack (thats 80s-speak for just f*cking awful). As an emcee, Mario Van Peebles is one hell of an actor. And as an actor, Mario Van Peebles is one hell of a bodybuilder.Any film calling itself "Rappin'" had better deliver at that genre's highest standard of the time. So why were 6 year olds rolling in the aisles, even back in the day when standards were so knee-high-to-"Webster"-low? Because this rap is weak. So weak that not even B.E.T. or Comedy Central will touch it with a 10-foot gold-rope chain.Blondie's "Rapture" is def poetry next to this bit of Dr. Suess in the hood. So don't be a boobie, avoid this movie!

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John Book
1985/05/17

With the success of "Beat Street" and "Breakin'", Hollywood felt it was the right time to exploit the world of rap music. Keep in mind that this was 1985, and the music was still being promoted by the music. No videos, no shiny record covers, just the music and the people. With that in mind, someone felt it was pretty good to make a film about a few people struggling for a better life, and doing it by having each character rap during key moments in the movie. I don't know what they were thinking, maybe a "West Side Story" for the breakdancers? While this movie could (and should) be exposed as weak, there's a small part inside of you that you eat up like cake. Sure it's cheesy, but at the same time their hearts were in the right place, just not doing it correctly. Mario Van Peebles tries to rap, but the high/lowlight has got to be the ending of the movie, when the entire cast is given a few lines to rap, including the "cowboy" character. And you thought Eminem was the first white wonder.

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