Aline Cézanne (2010)
“It begins with an exhibition at the French Institute in Munich. We had decided to create an installation together [with Vincent Barré] in the greenhouse of the Seyssel d’Aix palace: a tribute to Paul Cézanne and his final model, the gardener Vallier….We spoke about the project with one of Vincent’s childhood friends, Christine Toffin, who reminded us that she was related to the painter. Her aunt, the painter’s granddaughter, still lived at Bourron-Marlotte. We decided to go and film Aline Cézanne in her retirement home at Bourron-Marlotte….It was during the sound editing that we thought of making a film using the images we had shot for the sound. The framing is minimal – it’s fine as it is, but it was not set up with a film in mind. A year later, we went back to see Aline. Her speech had become more confused and we went off with her to the village to find the houses of her childhood.”
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This movie was so-so. It had it's moments, but wasn't the greatest.
if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.