The Executioner (1973)
Starring Reuter Christiansen herself and shot in the lush landscape of Møn, the Danish island where she has lived since 1970, THE EXECUTIONER uses a fragmented narrative to tell “a story of woman’s degradation and exaltation,” as its subtitle indicates. A landmark of Danish feminist art, the film was also Reuter Christiansen’s first major collaboration with Henning, who composed the film’s lyrical, subtly experimental music.
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Waste of time
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This movie is the proof that the world is becoming a sick and dumb place
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Terrible acting, screenplay and direction.
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The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
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