The Big Night (2012)
An ageing punk-with-a-dog and his brother the conformist decide to get their revenge on a shopping mall. Directing duo Benoit Delepine and Gustave Kervern, longstanding comic crusaders against capitalism, again set out to surprise and shock the bourgeois audience.
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Reviews
Slow pace in the most part of the movie.
Self-important, over-dramatic, uninspired.
The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.
Worth seeing just to witness how winsome it is.
You pay and you got nothing in return : it's a french movie and there is no subtitles ! If it was a American movie, you'll get them ! Perharps Canal+ thinks that hard or hearing don't exist in France or that they want only foreign films ??? But for me it's simple : without them, i can't follow a french movie ! However I try as i appreciate Poelvorde and him doing a Punk should be an interesting. Like Lisbeth Salander, it's about being marginal characters and we don't see much of them. In addition, behind are the authors of Guignols and Groland so i should be funny !The first thing i notice is the horrible golden cinematography ! People have awful orange skin, everything seems unnatural, faded Next, the movie is short (90 minutes) but the first minutes are about Benoit walking in the street with his dog. It barks at a cat picture and Benoit kicked it so 2 minutes for a small fun moment Next, we have a five minutes meal in which Benoit and his brother tell together their father each own story so it's again desperately long for a small fun moment. The next scene is more quiet but i can't follow the dialogues.. So, with so much problems after ten minutes, i stop the movie and maybe i will give it a try on a free channel ..
But it all depends on your mood, when/while you are watching this. Because while it is sort of a portrayal of society (a bleak look at parts of it), it is more at home in the comedy genre. But not the laugh out loud kind of comedy. The darker and subtler one, with weird characters and even weirder (and sometimes benign) plot developments.Our two main characters are connected, but while they seem different, the only difference seems to be their social status. Not for very long though, as one of the brothers has to face something no one likes. Out of that situation and some very long shots, humor arises with the interactions you are watching. Not everyones tea and more likely to alienate people than please them. But there is joy in that too ...
The film is of the films absurd. The players play actually the absurd ism. The punk, M. Poelvoorde, is the Belg genius. The realizers do Mammuth, another absurd genius. I looked on this film with eyes of a film fan, and I was made to be very happy. I looked on the cinema Max Linder, which of course is the most appropriate cinema to look on a film as this. It is always nice that films show outside of Paris, the real France. The businessman, M. Dupontel plays actually in 9 mois ferme, hilarious also. I propose to you see this film also. I love projects of these film makers. le Grand Soir is not grand, it is an horrible night. Of course the music is incredible from the Wampas.
fantastic performance of all actors... especially the great Benoit Poelvoorde. Spontaneous comic dialogs as absurd as can be... The environment of these shopping areas in the outskirts of all bigger towns in France, looking the same wherever you go is a perfect background for this acid story about people struggling. Once the atmosphere set, a firework of weird characters start to play together their non existing relationship. If you have liked Delépine's and Kervern's black humor, you will enjoy this one too... Touching desperados in a everyday-life setting, enhanced by the fixed camera. They do have a true talent to make you laugh with cynicism...