The Lizard (2004)

This is How Movies Should Be Made

A Disappointing Continuation

While it doesn't offer any answers, it both thrills and makes you think.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

Just saw this film at its American debut (?) at the Neptune Theater as part of the Seattle Int'l Film Festival. Marmoulak (The Lizard) is a heartwarming and saddening tale about a man on the run who disguises himself as a Mullah while trying to sneak across the border to get out of Iran. A comedic satire in the tradition of La Ley de Herodes, Marmoulak is full of gentle humanist irony which becomes sadly evident but never too overt. Parvis Parastui gives an outstanding performance in the lead, and all the supporting roles are also acted at a highly competent level. The story and cinematography are quite professional as well. After a very successful run, Marmoulak was banned in Iran as sacrilegious. It's definitely worth checking out. Every American who thinks about the nuclear option when the Middle East is discussed should certainly be forced to watch this film.

Summary: One of the best Iranian movies ever made, but for an Iranian audience only.Marmoulak is a political/social satire, but its comedy is subtle and better understood by an Iranian audience. I'd like to compare it to "Blazing Saddles", often cited by American movie watchers as one of the funniest movies ever made, while a non-American audience is only mildly amused by it. Cultural differences play a big role.Marmoulak's power of humor lies in the comments, words, situations and overall behaviour of the characters, which are not always understandable to the non-Iranian crowd. For instance, many of the seemingly innocent comments in the movie are copied or distorted very cleverly from the political/religious slogans, speeches and actions of Iran's religious clergy. Those parts are easily identifiable and enjoyable by Iranians, while non-Iranians may not quite understand the subtlety of it.That said, the movie is powerful, enjoyable and with brilliant acting. The story is quite simple and has been repeated in many forms before. A jailed thief seizes upon a chance encounter to escape from prison using the stolen clothes of a clergyman. With Prison's warden (depicted as a despotic maniac) after him, he escapes to a border village where the local people think he has been sent for preaching in their mosque. The rest of the movie depicts the thief's efforts to find a way across the border, while playing the role of an unconventional preachers who actually plays a huge role in the life of the villagers. Parviz Parastooi plays the lead role in a breathtakingly magnificent way, and this fact is again only obvious to an Iranian audience who know exactly the class of people he is trying to portrait. The movie has a good pace; in contrast with other well known Iranian movies such as Kiarostami's and Panahi's works that are typically very slow. Dialogues are extremely clever.Given 9 out of 10 by this reviewer.

Being a practicing Muslim myself, hearing the storyline of the film gave me reservations. An Iranian film about a thief escaping prison by emulating and dressing as a religious scholar, I knew the film was going to deal with sensitive religious and political matters. Although not Iranian myself, I was aware of cynicism towards the Iranian government and its religious rulings on its citizens.On that basis I knew that when I had to judge the film I had to also try to understand it from the perspective of an Iranian living under the government. When I saw the film, however, I realized that it had a deeper meaning than I thought it would. I found it to be an intelligent film that had a comical plot and funny parts but with more serious implications. The thing I most like about the film is that it is quite fair and balanced. The thief, after pretending to be a religious scholar, realises that God is good and finds religion during this point, instead of criticising religion. This helps to show a distinction between the perfection of religion and the imperfection of human beings, who at times misuse religion.However whilst saying this I did find some parts of the film quite offensive to religion such as the mockery of the young boys who were inspired by the scholar.Overall I thought the film was quite deep and was made in a clever manner but the issues dealt with were too sensitive and quite offensive at times.

I had the chance of watching this excellent movie yesterday at the Montreal World Film Festival. This is the second Iranian film that I've seen (the first was 'Taste of Cherry') and I'm enchanted.This is the story of a thief who has an extraordinary agility at climbing walls just like a lizard (Marmoulak), his escape from prison, and his redemption. To hide his identity, he becomes a mullah (Muslim religious scholar) and improvises as best as he can. The dialogs on theology and Muslim daily life are funny, yet very powerful. This excellent movie is not only a slap to the ruling clergy in Iran, but also a slap to religious fundamentalism of any faith. The acting is very good. The 'Mullah' role is performed beautifully and the Lizard gives the Mullah the right dose of authority and charisma while remaining a very down-to-earth person. I enjoyed every minute. This is a movie that I'll be delighted to watch again.Highly recommended. 9/10