Spanish Affair (2014)

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

By the time the dramatic fireworks start popping off, each one feels earned.

This movie is one of the best Spanish comedies I have seen. i have to say that I'm Spanish and I watched this in the theater and I couldn't stop laughing.The story follows Rafael (Dani Rovira), a Sevillian who has never left Andalucia, who decides to leave his homeland to follow Amaia (Clara Lago), a Basque girl he has fall in love with. The story may seem quite cliché and maybe it is but the truly important part of this movie are the four main characters. They all have a very good chemistry. Dani Rovira and Clara Lago did it very well in the roles of the wannabe couple and they provided very funny moments and Carmen Machi was also very funny but the true star in here is Karra Elejalde who plays the basque father of Amaia and he delivers some very amusing moments with Dani Rovira.The Basque Country and Andalucia are very well captured in here with some very beautiful shots of both places. The music by Fernando Velazquez is both emotional and funny with the use of many Spanish typical sounds.This movie probably is for Spanish people because if you're not familiar with all the stereotypes and jokes and problems we have in here you probably won't enjoy the movie the half as I did, but for me it was really amazing. It specially great to watch in it's original version so I recommend you to watch in Spanish to hear all the accents and so.

Utter Tosh. A highly predictable dirge of a film taking stereotypical characters (lazy but cheerful Andalusians, defensive nationalistic Basques) and then placing them in situations to which you know exactly how it is going to finish. The comedy is supposed to be slapstick and an ironic look at the two distinct areas of Spain but it quickly becomes tedious and in places offensive. It's repetitive (proud Basque father, intimidated daughter, happy go lucky Sevillian) and would be fine as a five minute sketch. Despite this being one of the highest grossing films in Spanish Cinema, many Spanish friends of mine have also commented how "simple" and childish the comedy is. A case of the "Emperor's New Clothes" as there is nothing really here. Truly truly horrible.

The fact that we can play with the most extreme topics homelands identities (Andalusian and Basque) no one should be shocked or put the outcry indicates much of our maturity as a nation (no matter who). Well, I correct: the fact that we can play and derision and mockery of the topics on the Basques and Basque nationalism, no one should be shocked or put the outcry, indicates much the degree of standardization of certain issues before open sores were always willing to bleed. And I make this correction because the Andalusians have always been a source of banter and nothing ever happened. For this reason, the approach of "Ocho apellidos vascos" is brave, is timely and is opportunistic. Surely this is one of the main reasons that the Spanish have been flocking in a mass almost unprecedented theaters to see this product sponsored by Tele 5. Along with the successful release date That (between Oscar and summer blockbusters) and the brutal and exemplary marketing campaign, which I applaud and celebrate. That's all I can conclude from this nonsense, much to my regret. I always say and I repeat that from "the dark pleasure of watching bad movies and enjoy them," and always insist that "we must not forget that the main purpose of film is to entertain." I say and I stand. The problem is that "Ocho apellidos vascos" is not bad enough, nor sufficiently geek, not crazy enough to be a "Bad Movie" (as Sharknado or Xanadu or Condemor). And unfortunately it is not entertaining enough to forgive their mediocrity (always from my point of view). That is precisely the word that best defines "Mediocrity". It is painfully mediocre. It is simple, not easy. It is impersonal and worst: it is done reluctantly. The movie works because the interest, not original (remove an element of your environment and place in a completely alien and hostile is one of the basic arguments in comedy since the cinema is cinema), but which explained at first. but all the other elements just fit, or do not at all. The entire film is a sheer drop from a promising start to a shameful end, through all the "comic" situations manual and all the hackneyed topics sitcom. But yes, I know, "all the stories are already told." You're absolutely right, but they are still have some ways, not original, but convincing. And back to the main issue of much patriotic film (and many foreign): the script. Most managers confuse the argument with the script. The argument is the approach, the script, the development. There is an interesting approach, albeit clumsily presented, and at the inability (or unwillingness) of its director to develop a convincing (or crazily convincing) way takes refuge in a tangle of beginner, which does not know how to get out, although all intuit (and fear) from the beginning how he will do it: using force without lubricant. What saves this product is the total collapse monologue speaker Dani Rovira, with his inspired monologues and brash, and Karra Elejalde giving life the only believable character in the whole story.But it hurts me to think that this is what the public is waiting to fill the Spanish cinema halls. It hurts to think that film too, as almost all spheres of power, is in the hands of the mediocre. And it hurts me to think that they are the by-products like this that are going to save the Spanish film of water that it's been submerged by itself. Stealing a quote: "It's not the same make films that make movies"inspired by piensaencines

Don't miss one of the funniest film of the year, for sure.Dani Rovira, a famous actor from El club de la comedia, (Rafa)has to travel to the Basque Country to follow Amaia, a basque girl he has met in Seville, despite of the advisements of his friends, who think he will fail in his attempt to seduce Amaia. Once there, he mets Anne, a middle aged lady from Caceres, who also lives in the Basque Country because she felt in love a long time ago, now she is a widow, and she will help Rafa when he wants to give up. We will met Amaia's father, a basque fisherman who hates everything and every people out of his land, but finally he accepts Dani like her daughter's boyfriend ans treats him like a real basque. Me and the rest of the audience spent and hour and a half laughing, and I guess you will do exactly the same.