Picture Snatcher (1933)

Very well executed

One of the worst ways to make a cult movie is to set out to make a cult movie.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Ex-con Danny Kean (James Cagney) becomes a successful newspaper photographer by getting the pictures nobody else can because he's not afraid to take risks. He falls for a dame who turns out to be the daughter of the policeman that arrested him years before. So naturally Pops isn't pleased. But he is convinced by Danny's boss (Ralph Bellamy) that Danny has changed for the better. That is until the ambitious Danny does something that lands him in trouble and turns his boss, his girlfriend, and her father against him.Another of the many entertaining, fast-paced films Jimmy Cagney did in the '30s. Whether they were gangster pictures, comedies, war movies, or anything else, Cagney always delivered. Nice support from Ralph Bellamy, Robert Barrat, Alice White, and Patricia Ellis. Some punchy dialogue and humor helps keep this crime drama moving. Cagney fans will love it.

Picture Snatcher (1933)A fast, pre-code romp, really fun. Cagney movies are so blazing in general, from his fast talking style and his frenetic body movements, this is terrific. It's not a gangster flick, though there are traces of that (he comes out of jail in the first scene), but it has the trappings of the end of Prohibition and all the fun of the cars and the times.There are a number of interesting characters in addition to Cagney, sassy and chipper and really bright. The plot is crazy, really, with all kinds of rivalries among the thugs, the cops, the newsmen, and the women. There are some terrific newspaper scenes (like the lead typesetting machines, used for love notes by Cagney and his girl), but the title refers to Cagney's turn at being photojournalist. They don't show him in action much, but there is a key scene where he photographs a woman being killed in the electric chair. And he does it the same way the same kind of picture was taken in 1928 of Ruth Snyder at Sing Sing, the camera hidden on the photographer's calf, and the pant leg lifted at the time of the electrocution. The camera appears to be an American made Ansco, a slightly cruder version of the new small Leica style miniature camera hitting the market in the late 1920s.But in fact photography plays a small role here. This is a movie about Cagney being his frenetic best, and that's what makes it great. I would say don't miss it. It's sweet, sassy, fun, and surprising.

Paroled convict James Cagney is determined not to return to a life of crime and decides to go to straight. He wants to get into journalism, but the only place that will hire him is the Graphic Record, the National Enquirer of its day. And not as a reporter, but as a picture snatcher. Now we would call Cagney a papparazzi.Still and all it's a job and Cagney is pretty resourceful at getting sensational pictures. He photographs an electric chair execution and his ruthlessness gets his girlfriend's father in some heat. But later on he redeems himself with his knowledge of the criminal underworld.Considering at where papparazzi are in the social pecking order these days, the viewer of Picture Snatcher is left to wonder just how legitimate Cagney has gone. Joe Pesci almost sixty years after Picture Snatcher was done did a period piece called The Public Eye which explored the same concerns. I think the viewer would like both films and Picture Snatcher if they are Cagney fans.

James Cagney, who was always so intense, as the 'bad guy' in most of his movies, seems to be having a great time in "Picture Snatcher', this 1933 film directed by Lloyd Bacon.In fact, Danny Kean, is first seen being released from jail, after serving three years, but he has had enough of the crime life. He tells his criminal friends he wants out. Not knowing what to do, he decides to try his hand at photo journalism by applying to be a news photographer at the Graphic News. The friendly editor, Al Mclean, decides to give him a break.Thus begins Danny's adventures as a news photographer that gets the right picture, at the right moment for his paper. He also finds happiness with Pat, the lovely daughter of a friendly policeman. At the same time, he is being the object of a co-worker's desire, something he wants no part of, since he has decided to go straight.The great James Cagney is a joy to watch in the film. He was a charismatic actor that is always excellent no matter what he did. Another surprise is Ralph Bellamy, who played the editor that decides to give the ex-con a break. The lovely Patricia Ellis is the object of Danny's affections. Alice White plays a bad girl that wants to get Danny for herself.The film will not disappoint fans of Mr. Cagney for the change of pace it represented and the fun one gets by watching it.